Mireille Berton, Le médium (au) cinéma. Le spiritisme à l’écran, Georg: Genève 2021, pp. 360

Authors

DOI:

https://doi.org/10.54103/2036-461X/20558

Author Biography

  • Giancarlo Grossi, University of Milan

    Giancarlo Grossi is a postdoctoral researcher in Film and Media Studies within the ERC project AN-ICON of the Department of Philosophy “Piero Martinetti” at the University of Milan. His research explores from the perspective of media archaeology the intersection of cinema, mind sciences, and visual culture. His publications include the essays Le regole della convulsione. Archeologia del corpo cinematografico [The Rules of Convulsion. Archaeology of the Cinematic Body (Meltemi, 2017)] and La notte dei simulacri. Sogno, cinema, realtà virtuale [The Night of Simulacra. Dream, cinema, virtual reality (Johan & Levi, 2021)].

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Published

2023-09-22

Issue

Vol. 23 No. 40 (2023): Archaeologies of the Virtual. Materialities, Senses, Imaginaries

Section

Reviews / Comptes rendus

License

Copyright (c) 2023 Giancarlo Grossi

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Mireille Berton, Le médium (au) cinéma. Le spiritisme à l’écran, Georg: Genève 2021, pp. 360. (2023). Cinéma & Cie. Film and Media Studies Journal, 23(40), 171-173. https://doi.org/10.54103/2036-461X/20558