Vol. 7 No. 9 (2007): Configurations de l'alternance/Configuring alternation

Edited by Nicolas Dulac and Bernard Perron

Published: 2007-10-01

Full Issue

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Table of Contents / Table des matières

• vol. VII, no. 9, Fall 2007

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Introduction

• Introduction

  Nicolas Dulac, Bernard Perron

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Thematic issue / Section thématique

• Le Montage alterné face à l’histoire: l’exemple d’Attack on a China Mission

  Nicolas Dulac, André Gaudreault

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• De la poursuite au sauvetage de dernière minute: le développement du montage alterné chez Pathé entre 1906 et 1908

  Philippe Gauthier

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• Alternating Editing in Vitagraph Films, 1906-1909

  Ben Brewster

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• To Alternate / To Attract? The Skladanowsky Experiment

  Janelle Blankenship

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• Le traiettorie dello sguardo alle origini del cinema

  Carlo Alberto Zotti Minici

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• Le Syntagme Töpfferien

  Thierry Smolderen

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• De la vignette à la vue et vice-versa: l’alternance avant le montage alterné

  Pierre Chemartin, Bernard Perron

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New Studies

• Writing (and Screening) the National Identity: Italian Film Stars in the 1930s

  Enrico Biasin

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• Towards a Soviet Cinema

  Marina Burk

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Projects & Abstracts

• Ph.D. Thesis Abstract - Experiments in Dramatic Music: The Film Music and Criticism of Georges Auric, 1919-1946

  Colin Roust

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• Ph.D. Thesis Abstract - A Cinema of Fragmentation Intertextuality, Intermediality and Narrative Forms in Italian Episode Film (1961-1976)

  Alice Autelitano

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• Ph.D. Thesis Abstract - Software-Cinema Cinema in Software Art: Visual Tactilism, Remediation, Code Aesthetics

  Cristiano Poian

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• XV International Film Studies Conference - Cinema and Comics. Affinities, Differences, and New Forms of Interference

  XV International Film Studies Conference

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• VI MAGIS - Cinema and Contemporary Visual Arts III - Cinema Vanishing (in) Art?

  Gradisca International Film Studies Spring School

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Selected by

• Laurent Manioni, Georges Didi-Huberman, Mouvements de l'air. Etienne-Jules Marey, Photographe des fluides, Gallimard, Paris 2005

  François Albera

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• Daisuke Miyao, Sessue Hayakawa: Silent Cinema and Transnational Stardom, Duke University, Durham 2007

  Tom Gunning

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• Oliver Grau (ed.), Mediaarthistories, Mit, Cambridge, Ma-London 2007

  Malte Hagener

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• Elena Dagrada, Le varianti trasparenti. I film con Ingrid Bergman di Roberto Rossellini, Led, Milano 2005

  Michele Lagny

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• Peter Zimmermann (ed.). Geschichte des Dokumentarischen Films in Deutschland, 3 Voll., Reclam, Stuttgart 2005

  Irmbert Schenk

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