Vol. 4 No. 4 (2004): Multiple and Multiple-language Versions/Versions multiples

Edited by Nataša Ďurovičová

Published: 2004-03-01

Full Issue

• PDF

Table of Contents / Table des matières

• vol. IV, no. 4, Spring 2004

  • PDF

Introduction

• Introduction

  Nataša Ďurovičová

  • PDF

Thematic issue / Section thématique

• Multilingual Films, or What we Know about a Seemingly Bright Idea

  Pierre Sorlin

  • PDF

• Quelle version restaurer? Deux cas concrets: Nana et Prix de beauté

  Davide Pozzi

  • PDF

• Due versioni musicali a confronto. Die Dreigroschenoper e L'opera de quat'sous di Georg Wilhelm Pabst

  Roberto Calabretto

  • PDF

• Nel nome di Maddalena. Una comparazione tra Casta Diva e The Divine Spark

  Francesco Bono

  • PDF

• Undoing The National: Representing International Space in 1930s Czechoslovak Multiple-Language Versions

  Petr Szczepanczik

  • PDF

• Languages, Actors and Audience

  Petr Mares

  • PDF

• Making Films Comprehensible and Popular Abroad: The Innovative Strategy of Multiple-Language Versions

  Joseph Garncarz

  • PDF

• Multiple Versions in France: Paramount-Paris and National film Style

  Charles O'Brien

  • PDF

• Multiple-Language Versions of Czech Films and the Film Industry in Czechoslovakia in the 1930s

  Ivan Klimeš

  • PDF

• Prix de beauté as a Multiple Intersection. National Cinema, Auteurism, and the Coming of Sound

  Malte Hagener

  • PDF

New Studies

• The Meaning of the Music-Hall: from the Italian Futurism to the Soviet Avant-garde

  Wanda Strauven

  • PDF

Projects & Abstracts

• Ph.D. Thesis Abstract - "Bande à part": suoni, voci e scrittura nel cinematografo di Robert Bresson

  Manlio Piva

  • PDF

• Ph.D. Thesis Abstract - Cinéma et réception des films a Genève dans les années 1920

  Pierre-Emmanuel Jaques

  • PDF

• The Redpath Chautauqua Collection. University of Iowa Libraries Special Collections

  Rick Altman

  • PDF