Fragmented Form and Spatiotemporal Experiences in Transnational Korean Women’s Poetry

Autori

DOI:

https://doi.org/10.54103/2037-2426/24020

Parole chiave:

Fragmented Form, Prose Poetry, Korean poetry, Transnationalism, Spatiotemporality, Women's Poetry

Abstract

 

 

Riferimenti bibliografici

Choi, Don Mee. DMZ Colony. Wave Books, 2020.

Choi, Don Mee. Hardly War. Wave Books, 2016.

Choi, Don Mee. The Morning News Is Exciting. Action Books, 2010.

Forché, Carolyn. “Introduction.” Against Forgetting: Twentieth-Century Poetry of Witness, W.W. Norton & Company, New York, 1993, pp. 29–47.

Hong, Cathy Park. Dance Dance Revolution: Poems. W.W. Norton & Company, 2008.

Hong, Cathy Park. Engine Empire. W.W. Norton & Company, 2013.

Horvath, Brooke. “The Prose Poem And The Secret Life Of Poetry.” The American Poetry Review, vol. 21, no. 5, 1992, pp. 11–14.

Lehman, David. “The Prose Poem: An Alternative to Verse.” The American Poetry Review, vol. 32, no. 2, 2003, pp. 45–49.

McAllister, Brian J. “Narrative in Concrete / Concrete in Narrative: Visual Poetry and Narrative Theory.” Narrative, vol. 22, no. 2, 2014, pp. 234–51. DOI: https://doi.org/10.1353/nar.2014.0011

Yoon, Emily Jungmin. A Cruelty Special to Our Species: Poems. Ecco, an Imprint of HarperCollins Publishers, 2019.

Pubblicato

11-03-2025

Fascicolo

Sezione

ENN7 Rhythm, Spatiotemporal Experiences and Transnational Identities

Come citare

Fragmented Form and Spatiotemporal Experiences in Transnational Korean Women’s Poetry. (2025). ENTHYMEMA, 36, 258-269. https://doi.org/10.54103/2037-2426/24020