“Non Sono Una Madre Come Si Deve”: Fabrizia Ramondino’s Terremoto Con Madre E Figlia
DOI:
https://doi.org/10.13130/2039-9251/12692Abstract
Using the interruption of menstruations in the mother and still absent in the daughter as physical evidence of the broken relationship between the two women protagonists of Terremoto con madre e figlia, my reading of the play reflects on the economy of such relationship. The mother historicizes the years of feminist and political commitment and her dedication to teaching through the presence of her daughter who completely refuses her mother’s teachings. Yet, the presence of the daughter serves as an alibi – from another dimension – for the author to autobiographically reflect on the horizon of the most important events of her existence. Relational contingency allows the mother to build her personal testimony of the Utopia of the Sixty-eight.
Downloads
Published
Issue
Section
License
The authors who publish in Itinera are required to accept the following conditions:
1. The authors retain the rights on their paper and lincese the journal the right of first publication. The paper is also licensed under a Creative Commons License, which allows others to share it, by indicating intellectual authorship and its first publication in Itinera.
2. Authors may adhere to other non-exclusive license agreements for the distribution of the published version of the paper (ex. deposit it in an institutional archive or publish it in a monograph), provided that its first publication in Itinera is indicated.
3. Authors can disseminate their paper online (ex. in institutional repositories or on their website) before and during the submission process, since this can lead to productive exchanges and increase quotations of the published work (See “The Effect of Open Access”).


