“Notes on the Foreign Sections at the First Venice Biennials. French Painters and Impressionism”. L’uomo Nero. Materiali Per Una Storia Delle Arti Della Modernità, vol. 19, no. 19-20, Dec. 2022, pp. 55-61, https://doi.org/10.54103/2974-6620/uon.n19-20_2022_pp55-61.